Just over a decade ago, Tom and Sue Stuart-Smith wrote a book, The Barn Garden, about the creation of their garden on the Serge Hill estate in Hertfordshire. It was subtitled Making a Place and described how the land, which was bought by Tom’s grandfather in 1927, has gently evolved as the Stuart-Smith family’s involvement has grown and changed. Today a new chapter is being sketched out on this same wedge of land, shaped by a recent cross-fertilisation of the couple’s individual areas of professional interest. Tom, as regular readers of Gardens Illustrated will know, is an internationally renowned landscape designer. Sue is a psychiatrist, psychotherapist and passionate advocate of the power of horticultural therapy, as she eloquently explained in her best-selling 2020 book The Well Gardened Mind.

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Tom and Sue Stuart-Smith's Serge Hill Project
Tom and Sue Stuart-Smith in the Plant Library at Serge Hill. Originally conceived as a reference resource for Tom’s design team, the library holds more that 1,200 different plants laid out in a highly ornamental 1m grid pattern that is divided up with paths every four to five metres, so that the different cultivars and species can be compared and contrasted. The building in the background was built by Tom’s father to resemble a local Methodist chapel. © Richard Bloom

The couple have gardened companionably together since their marriage in 1986, but their work spheres remained largely separate until Sue visited the Sunnyside Rural Trust. This Hertfordshire charity provides nursery-based horticultural training for young people with learning disabilities, and Sue was so impressed by what she saw that in 2015 she invited them to help in her vegetable garden. “It worked very well and they started coming every month,” says Sue. “Then I persuaded Tom to visit their base in Hemel Hempstead, and he was so struck by the value of their work that he suggested they set up a perennial plant nursery with expert help from Toby Marchant, of Orchard Dene nursery. Within six months Sunnyside was producing all the herbaceous plants for the garden Tom designed at RHS Hampton Court in 2021.”

Tom and Sue Stuart-Smith's Serge Hill Project
At the top of the site, a row of mini vegetable plots are used, allotment-style, by local residents. A local youth counselling charity also has a growing space here, and planning permission is being sought to build a mess room and nursery for the Sunnyside Rural Trust, where it can propagate and sell plants from the Plant Library. © Richard Bloom

This first-hand experience of horticultural therapy in practice had a huge impact on Tom, and the couple began discussing what more they could do to meld their complementary interests and areas of expertise. “We wanted to share what we have here in a way that would have the maximum benefit for as many people as possible,” says Tom. “Our three children are all adults, we are effectively empty nesters, so it felt like the right time to do something. We just didn’t know quite what shape it would take.”

Tom and Sue Stuart-Smith's Serge Hill Project
In the lower part of the Plant Library, Tom has created a temporary cutting garden dominated by a colourful mix of cosmos. Behind, Tom is trialling a range of different eupatoriums, lythrums and persicarias using green waste as the planting medium, to see what grows best in this damp and shady area. © Richard Bloom

One of those adult children, Ben, an architect, contributed a significant piece to the puzzle when he suggested Tom give up his London office and build a studio at home. Having total control over the contents and configuration of his workspace for the first time allowed Tom to consider what he felt were the important components of a successful workplace. He wanted his 18-strong team to sit down and eat together, so he included a fully stocked kitchen where everyone now takes it in turn to cook a communal lunch. He also wanted the young designers to have first-hand experience of the plants they work with. “There is an element of enlightened self-interest in this. I want to work with good people, avoid rigid hierarchical structures, and create an environment where they can maximise their talents. Few of them have gardens of their own, so they don’t have the opportunities I’ve had to observe how plants grow and develop. That was how we came up with the idea of a plant library.”

Tom and Sue Stuart-Smith's Serge Hill Project
Tom retained some of the fruit trees from the orchard he planted 30 years ago when the land belonged to his parents. The pear tree now sits within the sand bed area surrounded by a mix of perennials, including the purple Aster pyrenaeus ‘Lutetia’ and the tall, yellow Patrinia monandra in the background. © Richard Bloom

The Plant Library became the first tangible element of Tom and Sue’s broader altruistic aspirations, which were corralled under the heading The Serge Hill Project for Gardening, Creativity and Health, and in 2020 they were granted planning permission to develop a community garden on the family’s land.

“We started with the idea of creating a reference resource that would be of use to our own studio team, but that quickly expanded to include horticulture students, garden designers and local schools,” says Tom.

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Tom and Sue Stuart-Smith's Serge Hill Project
A woodchip path runs between the green-waste beds on the damper and more shady part of the site. Growing below a new apple, ‘Herefordshire Russet’, is the mauve-pink aster, Cordiofontis flexuosa, which mirrors the colours of Phlox paniculata ‘Gzhel’ on the other side of the path alongside Helenium ‘Waltraut’. © Richard Bloom

“We also wanted an events space for a variety of groups that could be used as a meeting place where people could come together and support each other,” says Sue. “I visit so many wonderful therapeutic projects where the organisers are pretty isolated and would really benefit from getting together to share ideas.”

Naturally, the couple turned to their home-grown architect to design a suitably multi-functional building. Ben, co-founder of architecture social enterprise Okra, came up with a beautifully understated carbon-sink timber structure, insulated and finished in cast hempcrete and clad in shingles cleaved by hand from oaks cleared near the site. “Fortunately we ordered all the construction materials just before the pandemic hit, or we might never have started at all, but events definitely slowed us down,” says Sue.

Tom and Sue Stuart-Smith's Serge Hill Project
The shingle-clad barn, designed by Ben Stuart-Smith, will be used to host schools, charities and other groups interested in gardens. It’s surrounded by drought-tolerant planting that includes Eryngium pandanifolium ‘Physic Purple’, Nepeta ‘Weinheim Big Blue’ and in the foreground Penstemon digitalis ‘Huskers Red’, Oenothera lindheimeri ‘Harrosy’ and Euphorbia rigida. © Richard Bloom

Consequently the building is only just nearing completion, but the Plant Library garden – expertly cared for by head gardener Millie Souter – is already looking glorious. “I bought all the plants just before Covid hit,” says Tom, “so we pushed ahead with planting more than 1,200 different varieties chosen to suit the different sets of conditions, from dry sun to quite damp shade. These have been arranged in a vast and carefully catalogued grid of 1m squares, designed to showcase each specimen individually.”

Viewed as whole, Tom and Sue’s big idea is both very simple in its altruistic aspirations and enormously complicated to sum up. “What is so moving is how it works on every level. This has brought our different worlds together, and the fact is we don’t fully know what it is going to be. We want it to grow organically, based on how people respond and interact with it,” says Sue. “We are still finalising the finances and organisation, and it has been challenging at times, but I’m not stressed by it any more,” says Tom. “It may take a while to achieve its full potential, but it is important that we do it right.”

Find out more about The Serge Hill Project at tomstuartsmith.co.uk and suestuartsmith.com.

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Authors

Jodie Jones is a freelance garden writer, who works for titles that include Gardeners' World Magazine, The Daily Telegraph and Gardens Illustrated.

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